Not titled.

It’s silly how much I miss this. Trying out a new bag of porcelain from Amherst Potter’s supply that’s been inadvertently aging in the backseat of my car for a month. 😁🙌
Bought @nastynairb223 a new wallet today from @sharaporterdesigns. Ironically, I drove from New Bedford to make this purchase at #Artbeat today. #newbedford #somerville #ma #handmade #leather #wallet #mens #gift #bicycle #handprinted #screenprint #brown #white #wood #bowl #art #craft #artfair #artsfair #craftfair #oakleys #frogskins #ily #love #support #local #supporthandmade
Bought @nastynairb223 a new wallet from @sharaporterdesigns. Ironically, I drive from New Bedford to make this purchase at #Artbeat today.
colin-vian:

  Paul Klee - Moonshin

colin-vian:

  Paul Klee - Moonshin

(via rossfordart)

hifructosemag:

likeafieldmouse:

Sarah Schönfeld - All You Can Feel

"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.

All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.

What do all these substances actually look like when their essence is visually depicted?

Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which had
already been exposed. Each drop altered the coating of the film.

Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.

She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”

1. Valium

2. Ketamine

3. Speed

4. Crystal Meth

5. Solian

6. Magic

7. Orphiril

8. Pharmaceutical Speed

9. Dopamine 

10. Cocaine

The literal negative effects of drugs (on negatives)

craniodsgn:

Hoy se nos va a #Londres una de las personas que mas aprecio y admiro, personalmente y profesionalmente.
#Ánimo @joanquiros! ya verás como junto a @chrislago & @eni_saurus, @voltioestudio estará donde se merece.
#Best #friend #bestfriend #vector #illustration #illustrator #portrait #artgraphic #graphicart #wacom #adobe #Behance #intuos #Digital #Art #ArtDigital #DigitalArt #London #studio #design #graphic #artdirection #follow (en Doctor Zamenhof Estudio)

I love this artist’s tiny, feathery way of drawing hair & hair’s shadows. 

craniodsgn:

Hoy se nos va a #Londres una de las personas que mas aprecio y admiro, personalmente y profesionalmente.

#Ánimo @joanquiros! ya verás como junto a @chrislago & @eni_saurus, @voltioestudio estará donde se merece.

#Best #friend #bestfriend #vector #illustration #illustrator #portrait #artgraphic #graphicart #wacom #adobe #Behance #intuos #Digital #Art #ArtDigital #DigitalArt #London #studio #design #graphic #artdirection #follow (en Doctor Zamenhof Estudio)

I love this artist’s tiny, feathery way of drawing hair & hair’s shadows. 

emilyrosebourne:

Hair-Painted Plates, 2014
by Emily Rose Bourne

My work. Thrown porcelain, commercial underglaze, and clear glaze fired to cone 10. The surfacing process was inspired by Stephen Gammell's illustrations and my own experiments in painting and drawing. These are not raku-fired, but are instead results of taking chances and doing some weird shit.  In the words of Ms. Frizzle, “Take chances, make mistakes, get messy.” Do it up.

(via the-clayprofessor)

heathwest:

Bernard FrizeCaisse, 1997  Acrylic and resin on canvas162 x 130 cm

heathwest:

Bernard Frize
Caisse, 1997 
Acrylic and resin on canvas
162 x 130 cm

(via rossfordart)

treecko007:

bittenlipsandbrokenhearts:

Get the fuck out

Ahh

Those teeth.  

(Source: iraffiruse, via boundobedience)